The Giantess Speaks (Scratch) is an experimental theatre script, which I originally performed in May 2024. In it, I portray my giantess alter-ego Nancy as a size-shifter, able to grow and shrink on command, towering over a half-destroyed Midtown Manhattan — with one of her 1,250-foot high heels still embedded in the rubble left in her destructive wake — discussing, as though the ruined city itself were her psychotherapist, her trauma-rooted motivations for unleashing such violent devastation upon the metropolis beneath her sprawling body, and her desire to keep inflicting death and destruction upon humanity. Anxiously observing the world around her growing ever more hostile to her own needs as a queer, disabled, neurodivergent outcast, and increasingly more violent and destructive towards the planet’s most vulnerable populations and ecosystems, Nancy intimates to the city beneath her that she had felt a desperate urge to let her rage consume her for a while now. A compulsion to mutate her body into something so enormously sublime, omnipotent and indestructible that it could annihilate all traces of humanity’s destructiveness from the face of the Earth. Even if that meant martyring herself, or eradicating most of human civilisation, in the process...